Actor/ Singer / Mover / Maker

Eiko Moon-Yamamoto (she, they) is a San Francisco/ Los Angeles based, Japanese-Korean-American, multi-hyphenate performing and visual artist. Born in Tokyo, they have roots in Seoul and Hawaii. They’ve lived for a time in the UK, Germany and all over California. Be it Shakespeare, Sondheim, Stoppard, or new works, they're passionate about storytelling as way to empower positive change.

Regional credits include CYMBELINE at San Francisco Shakespeare Festival, FOLLIES, CLUE and TINY BEAUTIFUL THINGS (u/s) at San Francisco Playhouse, M’Lynn Eatenton in STEEL MAGNOLIAS at SierraRep, SLEEPING BEAUTY at The Presidio Theatre and DISENCHANTED! at San Jose Playhouse.

They’re committed to championing historically excluded voices in the American theatre canon and have developed new works with Playwrights Foundation, PlayOn Shakespeare, Crowded Fire, Z Space, AlterTheater, The Ground Floor at BerkeleyRep Theatre, FaultLine Theater, Dragon Productions, and Company One.

Selected local credits include work with Magic Theatre, Marin Shakespeare Festival, African American Shakespeare, Silicon Valley Shakespeare, PlayGroundSF, Mountain Play, Hillbarn Theatre, Palo Alto Players, Pear Theatre, Kunoichi Productions, Montalvo Arts, Town Hall Theatre, South Bay Musical Theatre, Spreckels Theatre, Douglas Morrisson Theatre, and PianoFight.

Eiko is a graduate of UCLA and California College of Arts. They are a member of SAG-AFTRA, the Ring of Keys coalition, and AEA eligible. Aloha Nui Loa!

  • Some of the best acting comes from Eiko Yamamoto as Louise, the stage Manager who tries to keep everyone in line.

    -Judy Richter, The San Mateo Daily Journal review of THE 1940’s RADIO HOUR by Walton Jones/ Hillbarn Theatre

  • Eiko's delivery is so well timed. Some of the lines were only funny because of the way they were delivered. She's a good actress.

    -Broadway with AJ and Sarah review of DISENCHANTED! by Dennis T. Giacino/ 3Below

  • It's definitely worth 90 minutes of anyone's time. Eiko Moon-Yamamoto plays Afong and Joseph Alvarado plays Atung. Both are excellent.

    - Joanne Engelhardt (SFBATCC), Aisle Seat Review of THE CHINESE LADY by Lloyd Suh/ The Pear Theatre

  • Eiko Yamamoto is Jack's worried and prodding mother who brings her own winning voice that has the ability to pierce through the air with electrifying presence.

    - Eddie Reynolds (SFBATCC), Theatre Eddys review of INTO THE WOODS by Stephen Sondheim/ Mountain Play

  • The Highlight may be a scene-stealing scene dance duet by Eiko yamamoto and REne Collins as the Whitmans.

    -Charles Lewis III, 48 Hills review FOLLIES by Stephen Sondheim/ San Francisco Playhouse

  • Eiko Yamamoto as Elizabeth Condell offer more polished performances. Yamamoto'S Elizabeth is the perfect combination of support and playfulness.

    -Otto Coelho (SFBATCC), TheatreStorm review of THE BOOK OF WILL by Lauren Gunderson/ Foothill Theatre Arts

  • Brilliant...Meiko (Eiko Yamamoto)...throughly committed. Actors are well-matched to characters and deliver a difficult script with utter believability so that you feel you know these people in real life. An absolute must see.

    -Jeannie K. Smith (SFBATCC), Sonoma County Gazette review of EUREKA DAY by Jonathan Spector/ Spreckels Theatre Company

  • A HIGHLIGHT IS A MELANCHOLY BALLAD "MILLWORK" AND PERORMED WITH SOULFUL FEELING BY EIKO YAMAMOTO. THE PASSIONATE YAMAMOTO'S WONDERFUL VOICE MAKES SKILLFUL USE OF TERRIFIC CHOREOGRAPHY TURNING THE MIND NUMBING MILLWORK IN TO A SKILLED ART.

    -Vince Mediaa (SFBATCC), VmediArts Theatre Arts Review of WORKING by Nina Faso and Stephen Schwartz/ Palo Alto Players

  • The fairies who have to muster their strength against Hernia are a delight...Eiko yamamoto is pacifica.

    -Chad Jones, Theatre Dogs review of SLEEPING BEAUTY: PANTO by Stephanie Brown and Richard Ciccarone/ Presidio Theatre

  • Pitch perfect cast give life to Spector's INFURIATING, MOVING AND COMPLETELY RECOGNIZABLE CHARACTERS. FIVE STARS.

    -Harry Duke, (SFBATCC) North Bay Stage and Screen review of EUREKA DAY/ Spreckels Theatre Company

  • EIKO YAMAMOTO AS THE INSANE ERNESTINA...SHE WAS OVER-THE-TOP FUNNY AND A REALLY AUDIENCE FAVORITE.

    -Janet Grant, Tri-City Voice review of HELLO DOLLY!/ Douglas Morrisson Theater

  • IT'S AT ONCE HYSTERICAL AND EXASPERATING TO WATCH THESE PERFECTLY-CRAFTED, SUPERBLY-ACTED AND ALL TOO RECOGNIZABLE MODERN ARCHETYPES..MEIKO (EIKO YAMAMOTO).

    -Nicole Singley (SFBATCC), Aisle Seat Review of EUREKA DAY/ Spreckels Theatre Company

  • “The folks who have seen or heard the play so far always comment that it is perfectly cast." -Jerry Lee, Dir. Three impressive and dazzling actresses making their SRT: Eiko Yamamoto as M’Lynn...

    Ledger Dispatch review of STEEL MAGNOLIAS by Robert Harling/ Sierra Repertory Theatre

  • The Six-Person Cast features terrific individual voices, but their divinity is in their collective choral blend.

    David John Chávez - The Mercury News review of DISENCHANTED! by Dennis T. Giacino/ 3Below

credit: Will Dao

The Truer history of the chan family

When SF playwright Eugenie Chan set out to find out more about her family’s involvement in San Francisco's Hip Yee Society, a once notorious gambling and prostitution tong, her discoveries surprised and inspired her to tell the story of a family chasing the American Dream in 1920s Chinatown – The Truer History of the Chan Family, our first feature film!

Saturday, November 23 · 2 - 3pm PST

Victorian England is transported to Japan, set against the backdrop of its transition from the Edo to Meiji period, a time of significant societal change. Drawing on the Japanese theaters of Noh, Kyogen, Kabuki, and Butoh, this multifaceted reimagination of Dickens’ A Christmas Carol reminds us that this is the season for love, family, community, and wonder.

December 9

Brian Lohmann's adaptations of A Pickwick Christmas

Directed by Andrea Gordon

December 9, 2024 7:00 p.m.

Magic Theatre

TBA Sondheim summer musical 2025

TBA Sondheim summer musical 2025

Summer grass

all the warriors are

but the remains of dreams

Afong Moy

The Chinese Lady

The Pear Theatre

(L) Joseph Alvarado as Atung

photo: Sinjin Jones

 

M’Lynn Eatenton

Steel Magnolias

Sierra Repertory Theatre

(L to R) Olivia Jones, Laurie Strawn, Emily Gatesman, Isabella Chang, Eiko Moon-Yamamoto

courtesy photo

Aviragus/ Posthumus’ mother/ Musician

Cymbeline

San francisco Shakespeare Festival

photo: Neal Ormond

Pacifica, the fairy

SLEEPING BEAUTY:Panto

Presidio Theatre

(L to R) Ryan Patrick Welsh, Ruby Day, Eiko Moon-Yamamoto

photo: Terry Lorant

Jack’s mother

Into the woods

Mountain Play

(L to R) Kevin Singer, Eiko Moon-Yamamoto, Chachi Delgado, Luke Hichman, Grace Margaret Craig

 

Emily Whitman

FOLLIES

San Francisco Playhouse

(L ro R) Cindy Goldfield, Maureen McVerry, Eiko Moon-Yamamoto, Rene Collins

photo: Jessica Palopoli

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